Second Hand Movie Review
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Film: Second Hand
Timesofap Rating: 2.75/5
Starring: Dhanya Balakrishna, Sudheer Varma, Kireeti, Vishnu, Anoojram
Director: Kishore Tirumala
Producer: BVS Ravi, Poorna Naidu
Banner: Sreeyas Chitra
Music: Ravichandra
Story:
An entertaining tale the story begins with Santosh (sudheer) who wants to kill himself as his girlfriend Deepu (dhanya) ditched him. He comes across Subbarao (kireeti) who gets married to a girl (dhanya again) but she is in love with another person. In between, the duo comes across another girl Sahasra (dhanya once more) and she has her confusion unable to decide between two guys. How their lives are given a sense of direction and whether their problem is solved or not forms the rest of the story.
Performaces:
Kireeti Damaraju is entertaining as Subba Rao. His typical expressions and cunning smile will have you in splits. He steals the show in this film. Sudheer Varma is fine as one of the main leads. Sri Vishnu keeps it simple and that works yet again. Dhanya is good as the female lead. Posani did a cameo in this film.
Technical Departments:
The director has come up with an interesting storyline and while the presentation was rich, the narrative was absorbing. The dialogues were decent. The script was interesting and the screenplay made it lot better. The background score was melodious and two songs were good. Cinematography was professional.
Editing was required during the second half. Costumes were well designed while the art department was colorful. Sri Vishnu gave a very good performance, Kireeti was humorous and funny, Sudheer Varma was apt, Dhanya Balakrishnan is naturally beautiful, Posani was brief but good. Others didn’t have much to offer.
Analysis:
Second Hand starts off with interesting characterizations, peppy dialogues and refreshing screenplay though second half spoils it. The film deals with inter-personal relationships in realistic manner that connects well with youth. Director Kishore Tirumala has penned interesting lines. However, Second Hand have its own flaws with amateurish script though supported by decent writing.
The third story lacks the needed zing like the stories of Santhosh and Subbarao and thus resulted in dragged slow pace with unnecessary melodrama in second half despite exciting interval bang. If the film could have been dealt in a clean way rather than adult comedy, it might have garnered other sections of audiences. Had the director planned for a clever screenplay in the second half too like the first hour, it would have helped the film’s tempo.
Final Word: No Second is boring in this Second Hand